Danielle Dutton, Margaret the First (2016) reviews

Danielle Dutton, Margaret the First (2016)

I have been recommending this slim, glinting dagger of novel since it came out in 2016, to anyone who will listen, and I’m not going to stop now. Look, “best of” lists like this one should be messy and idiosyncratic and unexpected, reflections of long and heated arguments by people who care a lot about books and are always reading—what they shouldn’t be is calibrated to please everyone. Having said that—and aside from my love of Danielle Dutton’s miraculous first-person inhabitation of 17th-century Renaissance woman Margaret Cavendish—I would like this book to serve as representative evidence of all the short novels that might not be epic in length, but are so in scope, that are too often left off lists like this one because they don’t immediately register as monumental. But back to the book.

Of noble station, Margaret Cavendish—aka “Mad Madge—was a real person, a writer of plays, poetry, philosophical treatises, scientific theories, and more. The first woman ever invited to the Royal Society in London, Cavendish did, indeed, achieve the intellectual fame she’d long sought; unsurprisingly, her accomplishments were diminished at every turn, as many claimed her books must have been written by her husband. Dutton (who founded Dorothy: A Publishing Project) realizes the outsize ambitions of this remarkable book with virtuosic efficiency, braiding first- and third-person perspectives with passages from Cavendish’s original writing. I will be recommending this book for the next decade.  –Jonny Diamond, Editor in Chief