The Portrayal of Traditional and Modern Conflicts in Chinua Achebe’s Things Fall Apart and Arrow of God

The Portrayal of Traditional and Modern Conflicts in Chinua Achebe’s Things Fall Apart and Arrow of God

In Things Fall Apart and Arrow of God, Chinua Achebe explores the clash between traditional African customs and the encroaching forces of modernization and colonialism. These novels depict the tensions between the old ways of life and the new, as individuals and communities struggle to reconcile their cultural identities with external pressures.

In Things Fall Apart, the character of Okonkwo represents traditional Igbo values, as he upholds the customs and rituals of his people. His world begins to unravel with the arrival of British colonizers and Christian missionaries, who seek to dismantle Igbo traditions. Okonkwo’s resistance to these changes reflects the broader conflict between tradition and modernity, as his personal tragedy mirrors the larger collapse of Igbo society under colonial rule.

Arrow of God continues this exploration, focusing on the character of Ezeulu, a priest of the god Ulu, who is caught between the traditional role he plays in his community and the growing influence of colonial powers. Ezeulu’s internal conflict and his eventual downfall symbolize the struggle of African societies to maintain their traditions while facing the realities of colonial dominance.

Achebe’s portrayal of traditional and modern conflicts highlights the complexities of cultural change and the resilience of African societies. His works challenge the notion that African cultures are static or backward, instead showing them as dynamic and evolving in response to both internal and external forces.

These articles provide a comprehensive understanding of Chinua Achebe’s works, covering major themes such as postcolonial identity, political corruption, language, gender, and cultural conflict. They reflect Achebe’s deep engagement with the challenges facing African societies, both during and after colonialism.